Showing posts with label Social Art. Show all posts
Showing posts with label Social Art. Show all posts

Wednesday, June 13, 2012

Expressionism & Social Change


Expressivism & Social Change
Teachers: Kendall Hutchison and Mallory Belnap
Grade: 5
Time Needed: 45 minutes
Objective: Students will understand how evoking emotions in others can lead to social awareness.


State Standards:
Grade 5 Social Studies
Standard 5
Assess the impact of social and political movements in recent United States history.
Objective 2
Assess the impact of social and political movements in recent United States history.
  1. Identify major social movements of the 20th century (e.g. the women's movement, the civil rights movement, child labor reforms).
Grade 5 Language Arts
Standard 8
(Writing): Students write daily to communicate effectively for a variety of purposes and audiences.
Objective 6
Write in different forms and genres.
1.Share writing with others incorporating relevant illustrations, photos, charts, diagrams, and/or graphs to add meaning
Grade 5 Visual arts
Standard 1
(Making): The student will explore and refine the application of media, techniques, and artistic processes.
Objective 3
Handle art materials in a safe and responsible manner.
  1. Practice appropriate behavior with sharp or dangerous tools at all times.
Objective 4
Edit written draft for conventions.
Edit writing for correct capitalization and punctuation (i.e., introductory and dependent clauses, dialogue, singular and plural possessives).
  1. Edit for spelling of grade level-appropriate words.
  2. Edit for standard grammar (e.g., subject-verb agreement, verb tense, irregular verbs).
  3. Edit for appropriate formatting features (e.g., margins, indentations, titles, headings). 


National Standards:
Grade 5 Social Studies
What are the Roles of the Citizen in American Democracy?
What is citizenship?
What are the rights of citizens?
What are the responsibilities of citizens?
What dispositions or traits of character are important to the preservation and improvement of American constitutional democracy?
How can citizens take part in civic life?
Grade 5 Visual Arts
5-8.1: Understanding and applying media, techniques, and processes

Achievement Standard:
Students select media, techniques, and processes; analyze what makes them effective or not effective in communicating ideas; and reflect upon the effectiveness of their choices
Students intentionally take advantage of the qualities and characteristics of art media, techniques, and processes to enhance communication of their experiences and ideas
K-12 Language Arts
Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

http://www.educationworld.com/standards/


Procedure:

Materials Needed:
Powerpoint
Examples of art from Kara Walker and Jacob Riis

Introduction
Show powerpoint presentation of different art pieces. Have the students write down one emotion they feel while looking at the piece. Discuss in groups: What did you feel while looking at this art? Why did you feel like that? What about the picture made you feel like that? (Colors, staging, lighting, etc.)
Powerpoint Pictures:
The Scream
Woman with Cat
Gesicht-Expressiv
Lynch Family
Überleben X
by Leonid Afremov
Lesson Focus
  • Kara Walker -
    • she just uses silhouettes and shadow puppets to evoke such emotion about her message of the cruelty of slavery

  • Jacob Riis & Child Labor Reforms
    • Teach about what child labor is, what initiated the reform, what laws were made, what the laws prevented/changed. (history lesson)
    • Discuss how he used his pictures to bring national attention to child labor in his book How the Other Half Lives
    • Inspired politicians to make changes
    • Forms of child labor, including indentured servitude and child slavery, have existed throughout American history. As industrialization moved workers from farms and home workshops into urban areas and factory work, children were often preferred, because factory owners viewed them as more manageable, cheaper, and less likely to strike. Growing opposition to child labor in the North caused many factories to move to the South. By 1900, states varied considerably in whether they had child labor standards and in their content and degree of enforcement. By then, American children worked in large numbers in mines, glass factories, textiles, agriculture, canneries, home industries, and as newsboys, messengers, bootblacks, and peddlers.
      Spinning room
      Spinning Room, Cornell Mill, Fall River, Mass., Photo: Lewis Hine
      In the early decades of the twentieth century, the numbers of child laborers in the U.S. peaked. Child labor began to decline as the labor and reform movements grew and labor standards in general began improving, increasing the political power of working people and other social reformers to demand legislation regulating child labor. Union organizing and child labor reform were often intertwined, and common initiatives were conducted by organizations led by working women and middle class consumers, such as state Consumers’ Leagues and Working Women’s Societies. These organizations generated the National Consumers’ League in 1899 and the National Child Labor Committee in 1904, which shared goals of challenging child labor, including through anti-sweatshop campaigns and labeling programs. The National Child Labor Committee’s work to end child labor was combined with efforts to provide free, compulsory education for all children, and culminated in the passage of the Fair Labor Standards Act in 1938, which set federal standards for child labor.http://www.continuetolearn.uiowa.edu/laborctr/child_labor/about/us_...
    • Jacob Riis was on born May 3, 1849 in Ribe, Denmark, and died on May 26, 1914 in Barre, Massachusetts. Riis was a U.S. newspaper reporter, social reformer, and photographer who shocked the U.S. conscience in 1890 by factual description of slum conditions in his book How the Other Half Lives.
      Emigrating to the United States at the age of 21, Riis held various jobs, gaining a firsthand acquaintance with the ragged underside of city life. In 1873 he became a police reporter, assigned to New York City's Lower East Side, where he found that in some tenements the infant death rate was one in 10. Riis employed the newly invented flashbulb technique in photographing the rooms and hallways of these buildings in order to dramatize his lectures and books.
      How the Other Half Lives made Riis famous. The response of the future U.S. president Theodore Roosevelt was: “I have read your book, and I have come to help.” The book stimulated the first significant New York legislation to curb tenement house evils. The illustrations were largely line drawings based on Riis's photographs. A reprint in 1971 included 30 photographs on which the original illustrations were based and 70 related Riis photographs.http://www.history.com/topics/jacob-riis


Transition
What are some social issues now? What problems do you see around you?

Assignment
Photography Prompt: Take a photo or find an existing photo (must be on photo paper) that highlights a social problem or  political movement.

Part 2 (2 Days Later)
  • Students bring back the pictures they took.
  • Have a couple students share the photos and explain why they took it. With each one, ask what it is that is most powerful about the photo.

Materials:
Exacto Knives
Cardboard to protect table
Extra Pictures for the students who forgot
Video about Richard Galpin’s work

Lesson Focus
  • Discuss Richard Galpin’s technique and how it can emphasize their pieces and the emotion.
  • http://www.youtube.com/watch?v=mJCTw1vtTl4
  • Ex. Cut out picture so only trash shows...emphasize litter. Or cut out trash to emphasize no litter.
  • Teach technique and SAFETY with exacto knives. Emphasize not cutting too deep.
  •  
  • Students create their pieces.
  • When students are finishing up, have them start working on their assessment to avoid down time and danger!
Editing
  • Students write a paper about the issue they chose: how it makes them feel, what they would change, why it is important to them
  • Discuss why it is important to edit (practice editing with this worksheet http://www.superteacherworksheets.com/editing/editing-beach_WBNRR.pdf)
  • In art, we edited out things that were distracting to the main focus of our message. In writing, we edit punctuation, grammar, structure, etc. so our readers are not distracted from our message. We want to be as clear as possible!
  • Have students edit the papers they wrote about the issue they chose.  

There is also a really great editing checklist if you Google search "Fifth Grade Writers Checklist"! It should be the first one that pops up. It is a link to a Word doc, so it won't let me set up a link...

Assessment
  • Editing Conference! Pair the students with a partner and have them discuss why editing is important. Have them edit their partner's paper, so they get a more objective view of the value of editing. They will explain to their partner why they edited what they did on their paper. This will help them solidify their knowledge of editing and allow the teacher to evaluate that they have gained this knowledge.

****Alternate artists to use:

Tony Orrico (www.tonyorrico.com) - can use different methods to show expression. PROCESS!!

William Kentridge (http://www.youtube.com/watch?v=5_UphwAfjhk) - more PROCESS with movement!

This was my final prototype. It was a really fun idea! Who knew You could peel off a picture?! It gave it a really neat look!

Critical Theory


Critical Theory
Teachers: Kaylee Jensen and Danielle Thompson
Grade: 1
Time Needed: 45 minutes
Objective: Students will understand the Critical theory of art and learn how to question the way in which they see the world. Student will show this knowledge by creating their own Fundred Dollar Bills.  Then they will write a couple sentences about how this project helped them become more aware about their importance in the community and how creating these unique dollar bills will help the people in New Orleans.    

Standards:
State Visual Art Standard 1
Objective 3
Develop and use skills to communicate ideas, information, and feelings.
  1. Recognize and express feelings in a variety of ways (e.g., draw, paint, tell stories, dance, sing). 
  2. Express how colors, values, and sizes have been controlled in artworks to create mood, tell stories, or celebrate events. 

State Social Studies Standard 3
Objective 1
Identify and use geographic terms and tools.
  1. Identify Utah on a variety of maps and on a globe. 
  2. Identify the United States on a variety of maps and on a globe. 
National Standards: Visual Arts:
USING KNOWLEDGE OF STRUCTURES AND FUNCTIONS
Achievement Standard:
  • Students know the differences among visual characteristics and purposes of art in order to convey ideas
 CHOOSING AND EVALUATING A RANGE OF SUBJECT MATTER, SYMBOLS, AND IDEAS
Achievement Standard:
  • Students explore and understand prospective content for works of art
  • Students select and use subject matter, symbols, and ideas to communicate meaning
REFLECTING UPON AND ASSESSING THE CHARACTERISTICS AND MERITS OF THEIR WORK AND THE WORK OF OTHERS
Achievement Standard:
  • Students understand there are various purposes for creating works of visual art
  • Students describe how people's experiences influence the development of specific artworks
  • Students understand there are different responses to specific artworks
National Standards: Social Studies: Geography:
ENVIRONMENT AND SOCIETY
As a result of activities in grades K-12, all students should
  • Understand how human actions modify the physical environment.
  • Understand how physical systems affect human systems.





Materials Needed:
-Powerpoint
-Colored Pencils/Markers
-Scissors
-Fundred Dollar Bill printouts
-Following books: Not a BoxNot a StickAmelia Earhart: Legend of the Lost AviatorA Picture Book of Harriet Tubman.  

Intro:
Critical Theory is the idea of rejecting the world as it now exists.  

Start off the Lesson by reading Not a Box by Antoinette Portis.  
After reading the book, ask students if they have ever used their imagination to create something else out of an ordinary object.  Ask them what they think the book is made out of.  Ask them why they think the author wanted to make the book out of a box.  

Introduce following artists:

 Yinka Shonibare is an artist who helps people look at everyday people in a different way. He also challenges himself as an artist as he has evolved from painting, costuming, photography, to moving images.  He is very famous for his costumes.  What can you tell me about the picture below?


 
 What is this a picture of?  How is it different from what you have seen before? Why do you think he changed things like the flag? His suit? Can you tell if he is White, African American, Hispanic? What country is he from? Why do you think the artist made this so? 
 Show the students the above picture.  Have you ever seen someone like this before? How is this picture from what you are used to? Why do you think this is?

Alfredo Jaar: He is considered a Critical Theory artist because of the way that he presents his research. He thinks a lot about how to represent his experiences in the most effective way and then tries and tries again until he gets it right.
Teach the students about Jaar's Rwanda Project. He learned about the Rwanda from a clip in the newspaper and found that many people had died. He wanted to show the importance of this event and finally found the following way to represent his research on Rwanda. 
Watch the following clip: http://www.pbs.org/art21/artists/alfredo-jaar from 1:36-4:52
About video clip: Talk to the students about why his way of presenting his research with one pair of eyes was so effective? What made it so real for the viewer compared to other ways? Why did people understand?
Mel Chin: Teach the students that Mel Chin represents the Critical Theory with the Fundred Dollar bill project because he is making people aware of a big problem in New Orleans, Louisiana where there is lead in the soil which is dangerous for the people there, especially for the children. 
QWERTY Courbet. Ask the students what they think this picture is. Teach the students that this is an actual keyboard. Ask them why every keyboard looks the same. Who said it had to look like that? This keyboard still works, it still types, but looks much different. Teach that this is critical theory because he is freeing us from what we would think of as a keyboard and what we are used to.
Teach the students about the U.S. map. Ask if they know where different states are. Point out where New Orleans is in relation to Utah. 
Explain how the Fundred Dollar Bill project is mainly for kids who want to help other kids in New Orleans where the soil is dangerous. We are going to make our own Fundred Dollar Bills to help raise awareness of the victims in New Orleans.
Show the following video about children who have been involved with this project and what they have learned from it. 
video clip about Mel Chin: http://www.pbs.org/art21/artists/mel-chin
To download the printout for the Fundred Dollar Bill, go to fundred.org. Or here is the PDF link.
Allow the students to create their own fundred dollar bill with crayons, markers, colored pencils, etc. Let them use their imagination to create their own money that represents themselves. 
Prototype
Step 1: Print out Fundred Dollar Bill from fundred.org.
Step 2: Cut out your bill
Step 3: First draw in pencil what you would like on your fundred
Step 4: Use markers or another coloring utensil to add color to your drawing.
Step 5: Share your work with the class
Step 6: Mail all of the bills from your class to the following address so they can be counted and used towards the goal of 300,000,000 Fundred Dollar Bills!
The Fabric Workshop and Museum
a.k.a. The Philadelphia Fundred Mint
1214 Arch Street
Philadelphia, PA 19107
Attn: Christina Roberts
Assessment:
After finishing their art project, have each student choose two of the following questions and write four sentences as their answer. 
-How does your Fundred Dollar bill represent you? Explain why.
-Tell me about one of the artists we talked about and why you liked them.
-Why is it important to look at things in a different way? 
-What did you learn about the different ways that art can be created?
-Like the box from the book, what is one thing that you see differently from others and why? 
 Have a few students share their answers with the class.
Views: 20

Critical Theory Adaptation


Critical Theory
Teachers: Kaylee Jensen and Danielle Thompson--Adapted by Whitney Gasser
Grade: 6
Time Needed: to 35 minutes blocks
Objective: Students will understand the Critical theory of art and learn how to question the way in which they see the world. Students will have read the book The Giver by Lois Lowery and critically analyze it in small groups. They will demonstrate their knowledge of critical learning theory by taking a picture (either at home or using one of the classroom digital camera’s) of something (or a representation of something) in the world that they think needs to be challenged. Students will use a large negative of their picture printed on a transperancy and then use Sunpaper to create a Cyanotype.
Standards:
 State Visual Arts standards
Objective 2
Connect various kinds of art with particular cultures, times, or places.
Explain how experiences, ideas, beliefs, and cultural settings can influence the students' perceptions of artworks. 
Reading: Informational Text Standard 1 
Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
National Standards: Visual Arts:
USING KNOWLEDGE OF STRUCTURES AND FUNCTIONS
Achievement Standard:
  • Students know the differences among visual characteristics and purposes of art in order to convey ideas
 CHOOSING AND EVALUATING A RANGE OF SUBJECT MATTER, SYMBOLS, AND IDEAS
Achievement Standard:
  • Students explore and understand prospective content for works of art
  • Students select and use subject matter, symbols, and ideas to communicate meaning
REFLECTING UPON AND ASSESSING THE CHARACTERISTICS AND MERITS OF THEIR WORK AND THE WORK OF OTHERS
Achievement Standard:
  • Students understand there are various purposes for creating works of visual art
  • Students describe how people's experiences influence the development of specific artworks
  • Students understand there are different responses to specific artworks

Materials Needed:
-Powerpoint
-Camera
-Sun Paper
-Transparencies
-Following books: Not a Box, The Giver

Intro:
Critical Theory is the idea of rejecting the world as it now exists.  

Start off the Lesson by reading Not a Box by Antoinette Portis.  
After reading the book, ask students if they have ever used their imagination to create something else out of an ordinary object.  Ask them what they think the book is made out of.  Ask them why they think the author wanted to make the book out of a box.  

Introduce following artists:

 Yinka Shonibare is an artist who helps people look at everyday people in a different way. He also challenges himself as an artist as he has evolved from painting, costuming, photography, to moving images.  He is very famous for his costumes.  What can you tell me about the picture below?


 
 What is this a picture of?  How is it different from what you have seen before? Why do you think he changed things like the flag? His suit? Can you tell if he is White, African American, Hispanic? What country is he from? Why do you think the artist made this so? 
 Show the students the above picture.  Have you ever seen someone like this before? How is this picture from what you are used to? Why do you think this is?

Alfredo Jaar: He is considered a Critical Theory artist because of the way that he presents his research. He thinks a lot about how to represent his experiences in the most effective way and then tries and tries again until he gets it right.
Teach the students about Jaar's Rwanda Project. He learned about the Rwanda from a clip in the newspaper and found that many people had died. He wanted to show the importance of this event and finally found the following way to represent his research on Rwanda. 
Watch the following clip: http://www.pbs.org/art21/artists/alfredo-jaar from 1:36-4:52
About video clip: Talk to the students about why his way of presenting his research with one pair of eyes was so effective? What made it so real for the viewer compared to other ways? Why did people understand?
Mel Chin: Teach the students that Mel Chin represents the Critical Theory with the Fundred Dollar bill project because he is making people aware of a big problem in New Orleans, Louisiana where there is lead in the soil which is dangerous for the people there, especially for the children. 
Show the following video about children who have been involved with this project and what they have learned from it. 
video clip about Mel Chin: http://www.pbs.org/art21/artists/mel-chin
QWERTY Courbet. Ask the students what they think this picture is. Teach the students that this is an actual keyboard. Ask them why every keyboard looks the same. Who said it had to look like that? This keyboard still works, it still types, but looks much different. Teach that this is critical theory because he is freeing us from what we would think of as a keyboard and what we are used to.
Talk about the book we recently finished as a class, The Giver  by Lois Lowry. In small groups have students discuss how Lowry challenged the normal society of man.  Why would she want to talk about these bad things in society? Do any of these problems exist in our society? What problems did she explicitly point out? What problems did she infer, but didn't directly talk about? Have students use the following handout to encourage discussion.

Have the students brainstorm and do a free write about problems in the world. Have them think about where they have seen evidence of these problems in their homes, schools or societies. 
Ask students to think over the next couple of days of a problem that they want to challenge and represent. Challenge them to take a picture, using a camera at home or a school camera of a representation of this project. Instruct them to email the picture to the teacher before the end of the week.
Day 2
Assessment:
Students should have taken a picture of something that they want to challenge within their homes or within the world. Their negatives should be printed out on transparencies. Talk with them about the properties of light and why the negative doesn’t look like the picture. Talk about the history of photography
Talk about Man Ray and his famous Rayograms

Explain the process of creating a Cyanograph.
Sun sensitive paper can be found at http://www.bluesunprints.com/store/home.php?cat=251
  1. Remind the students that the paper is light sensitive and so that it must be kept in the dark until the very moment they want to start developing their pictures. Remind them to keep the lights off and not to use electronics.
  2. Do one as a class, exposing each segment of the picture for a different time to determine a good exposure time.
  3. Have the students place their negatives over the photo sensitive paper and cover it tightly using black pieces of paper. 
  4. As small groups, while others are in working on other homework, have students go outside and expose their pictures for the desired amount of time and then cover them up again.
  5. Have students rinse pictures in water to stop the developing process. 
  6. In their small groups have them discuss the problem that their photo represents. 
  7. Have each student write a paragraph about their picture to be displayed below their picture in the classroom. Give the students prompting questions such as: Who can solve this problem? Why is this a problem? Does everyone think this is a problem? What would the world be like without this problem? Do people’s experiences and beliefs effect how they feel about this problem?